In what ways does your media product use, develop or challenge conventions?
My
piece portrays a challenge of real media products, as it contains no dialogue.
The film is not a silent film, and dialogue would be essential tool throughout,
as it is about the adventures in the life of one man.
Opening
sequences often contain lots of dialogue, which can give away clues about the
characters, whereas I wanted to keep the mysterious, unknown side of my main character.
Or even in some cases voiceovers to explain the context and to introduce the
film. I believed that through leaving out dialogue, it should serve to attract greater
attention from an audience, who would have to learn through seeing and interpreting,
instead of simply being told what is going on.
Furthermore,
the omission of dialogue helps hook the viewer into the sequence, as they are
not bombarded with narrative, which may function only to confuse the audience.
I also decided to experiment with this type of film by using a different
linguistic, French, for all of the title sequences. This was to add a specific European
flavour to the film and affect the way in which the film was perceived, to move
it away from the classic American action sports film.
The
inspiration that I used for my opening sequence came from two James Bond
opening sequences: The Spy Who Loved Me and For Your Eyes Only. Despite these
two pieces having a high budget and using expansive, budget tearing shots
during the respective chases, I still managed to obtain the style of soundtrack
and the areas in which title sequence were placed in the opening sequence.
I
added a modern slant on action sports films by utilising majority hand-held
camera shots instead of attached onto a crane or tripod. I used these shots to
immerse the audience into the film and make them feel as though they were
actually on the set.